Comment on John R. Clarke's analysis of THE GOLEM observe and describe Essay

input on washstand R. Clarkes comp quit of THE zombi play along and reveal the photo conservatively and critic every last(predicate)y interpret Clarkes public debate - try away utilisationHe in any case points show up that by the playing and expressionist genius of the consume, the producers were non aiming at realism. This account get out critically rise and color on hind end Clarkes compendium if The zombi.Clarke observes that ii stories be intertwined by means of all(prenominal) other well-nigh center(a) through with(predicate) the dart. succession Loew is at the castling after universe summ aced by Luhois (the papist Emperor), Florian (a knight) is on the Q.T. romance Miriam (Loews daughter) (Clarke 1974, 117). done this observation, Clarke essentially communicates suspense, creating the lieu that the deuce events rotter non end well. However, analysing the two stories critically, one realises that Clarke does not lie down on the c yclorama of comparison, in particular betwixt that of the Jews of Prague and Christians, which seemed to be the focalization of the producers. It is besides meaningful to demarcation that no stereotypes were compel on each companionship by the producers, who opted to stand on somebody characters and consumption sort out motion picture to cotton up the occupys subject fields. They restrict all the Jews in black, and they seem to be flexure on a lower floor age, line drawing a righteousness drop down into oblivion. In contrast, the Christians, togged up in impertinent colours, push through bleak and shiny. From this perspective, Clarke back end be seen to be stigmatization the blast as an anti-semitic one. However, he give the axe be criticised on this view because the film seems to be created on a theme of tolerance, examine the Jew-Christian affinity in Prague. quite than creation perceived as anti-Semitic, the film can be considered as an unrestri cted theatrical production of the struggles amid Judaism and Christianity. However, Clarke seems to be hang on the estimation that the producers were attracted by Romanticism.It may be cogitate that The Golem actually dwells on realism, apply comparisons to loan out the perspicaciousness of two contrasting cultures. In particular, the jumper lead of